/home/ivaa/library.ivaa-online.org/lib/SearchEngine/DefaultEngine.php:624 "Search Engine Debug 🔎 🪲"
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Goh Beng Kwan is recognised for his masterful use of collage to explore issues around identity, cultural representation, and urban life. “Nervous City” is a phrase Goh often uses to describe New York, where he lived in the 1960s, to allude to its frenetic pace, high stress level and polluted atmosphere. It may also express his sentiments towards the rapidly industrialising cityscape of Sing…
In 1981, the Filipino artist and curator Raymundo Albano adopted the expression “Suddenly Turning Visible” to describe the rapid transformation of Manila’s urban landscape. The visibility that Albano evoked was aspirational, driven by a desire for rapid economic growth in which art had a critical role. This catalogue traces this story through three influential art institutions: The Cultur…
Cheong Soo Pieng was a pioneer artist who created visually fresh pictures of Southeast Asia’s landscapes and people. By marrying the artistic traditions of the East and the West, Soo Pieng broke new ground in the way the tropics were portrayed. Common Southeast Asian subjects — a fisherman’s kelong, two sarong-clad women on the way to the market, a group o…
Sudjojono's artworks come alive as the mysteries, controversies that surround them and even their double lives are made visible through archival materials such as photographs, letters, catalogues and newspaper cuttings, as well as video interviews. All of these breathe fresh life into th eindividual artworks, profiling their varied and multiple hostories. This approach departs from customary t…
Buku ini berisikan 13 tulisan dari para kurator mengenai karya-karya S.Sudjojono. Mereka mengulas kumpulan karya terbaik Sudjojono dari berbagai segi termasuk diantaranya dari segi artistik,seni historis dan sebagainya.