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Art History and Theory Reader 2: Postmodernity and Postmodernism
The book is an anthology of readings forming the second in a series prepared for students entering City Art Institute in 1989. It aims to equip the students with theoretical tools and historical knowledge to examine the contemporary in relation to the past and vice-versa. It relates specifically to the second part of the First Year Art History and Theory course mapping Postmodernity and Postmodernism. It examins Postmodernism in relation to the conditions of Postmodernity and by considering Postmodernism as pluralist phenomena, yet setting out to investigate shifts in discourse from such modernist subjects as Realisms and Abstractions to Postmodernists’ concern with Identities.rnrnThe book contains 8 chapters / sections:rnThe Crisis in Modernity and Modernism; rnPostmodernity – Mass Media – The Spectacle – Simulacra; rnPostmodernity – Semiology – Mythology;rnPostmodernity – Power/Knowledge – Difference – The Other;rnPostmodernity – Psychoanalysis and Sexuality;rnPostmodernity – Gender, Identity any (sic.) Body Politics;rnPostmodernity – Postindustrialization – Technocracy – Computerization;rnPostmodernity – Future Fall – Nuclearization – EcologyrnrnThe texts of the reader have been selected by a group of artists, art educators, art historians and theorists involved in working on the First Year Course at City Art Institute, namely Baska Bartsch, Fay Brauer, Jan Birmingham, Jon Cockburn, Richard Dovey, Chris Downie, Nichole Ellis, Tess Horwitz, Narelle Jubelin, Craig Judd, Dian Lloyd, Diane Losche, Judy Rae, Amanda Weate, Sheona White, Ann-Marie Willis.
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