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Camera Obscura: Feminism, Culture, and Media Studies

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“Camera Obscura: Feminism, Culture, and Media Studies” seeks to provide a forum for dialogue and debate on media, culture, and politics. It encourages contributions as following: “analyses of the conjunctions among gender, race, class, sexuality, and nation, as these are articulated in film, television, popular culture, and media criticism and theory; new histories of film, television, popular culture, and media criticism and theory, as well as contemporary interventions in these fields; politically engaged approaches to visual culture, media production, and contemporary constructions of feminism – inside the academy and popular culture.”rnrnContributors 42nd edition of “Camera Obscura” are:rnRachel Adams (Fat Man Walking: Masculinity and Racial Geographies in James Mangold’s Copland); Rey Chow (Nostalgia of the New Wave: Structure in Wong Kar-wai’s Happy Together); Gayle Wald (Clueless in the Neocolonial World Order); E.L. McCallum (Mother Talk: Maternal Masquerade and the Problem of the Single Girl); Richard Rambuss (Machinehead); Jeff Berglund (The Secret’s in the Sauce: Dismembering Normativity in Fried Green Tomatoes)

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Ketersediaan

Tidak ada salinan data

Informasi Detil

Judul Seri

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No. Panggil

705 C 42/1999

Penerbit

USA : Indiana University Press., 1999

Deskripsi Fisik

168 pages

Bahasa

English

ISBN/ISSN

0270-5346

Klasifikasi

100

Tipe Isi

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Tipe Media

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Tipe Pembawa

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Edisi

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Subyek

Visual Culture
Gender
Multimedia
politik
feminism
sexuality
Race
Class

Info Detil Spesifik

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Pernyataan Tanggungjawab

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Versi lain/terkait

Lampiran Berkas

Komentar

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