Giambologna (1529-1608) was the foremost sculptor of the age of Mannerism, his work recognizable by means of his seductive and strongly distinctive style, who worked in the half-century following t…
Pada Kisah-Kisah Tanpa Narasi, Titarubi menolak menggunakan metafor 'korban'Â. Ia menunjukkan keinginan besar dari 'yang tertindas'Â untuk bangkit dan berdiri.