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Glossary of Common Knowledge Vol.2

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The Glossary of Common Knowledge (GCK), unlike an encyclopaedia, makes no attempt to unite all the world’s knowledge in a single totalising system, or to assemble a variety of viewpoints under the roof of tolerance and inclusion. What makes the glossary different from similar efforts is that it does not make just one list of terms but is instead concerned with multiple lists. Each of its terms is always associated in different ways with terms from other lists and other contexts. Families of terms are thus created, and these families are the core of the glossary. Every term in the GCK has its own story, and every story has a narrator(s), a narrator who is uttering their own situated knowledge.

The terms by more than fifty narrators presented in the second volume of the Glossary of Common Knowledge were discussed and written between 2019 and 2022 during seminar meetings (at the Museum of Contemporary Art Metelkova, Museo Nacional Centro de Arte Reina Sofía, Valand Academy, and Van Abbemuseum) to bring together diverse knowledges from the museums as well as the global family of artists, thinkers and curators. They sought to find common knowledge to speak about less visible stories in contemporary art and to address systems that govern our ways of thinking in art and beyond. The project has been ongoing since 2014, and it was conceived and curated by Zdenka Badovinac, Bojana Piškur and Jesús Carrillo in the context of L’Internationale confederation of museums as a method of addressing the so-called referential fields.

The first series of discussions was published in 2018. For the second edition, we repeated the same referential fields to re-examine how the conditions in our cultural landscape have changed in the drastic ruptures of pandemic, war, climate catastrophes, a conservative turn and political upheavals. One of the most visible shifts in this volume compared to the previous edition is a need to address the growing urgency of climate change—with terms such as Air travel, Being ecological, Earth, Ecofeminism, New extractivism, and Rewilding, and to stress the anthropogenic colonial origin of the cataclysmic events, moreover, to entangle this continuous crisis through troubled thinking, for example in Disappointment, Choice, Shipwrecks, Southern constellation, The crowd of the dead or After, and propose not to resign but to Raise fists, Revolt, use Emancipatory propaganda and make a firm Anti-fascist stand. This volume was also marked by the COVID-19 pandemic and the implications it had on escalating power struggles and injustices. Many speak of fragility while pointing to the structural violence of the existing social, political and economic contexts in terms such as Care is conflictual, Direct action, Decommodification, Empathy, Hapticality, Interdependance, Lucid interval, Performance of care, Solidarity, Vulnerability and so on.

The compilation of the terms in this book resulted from discussions in four seminars: Geopolitics 2 at the Museum of Contemporary Art Metelkova, +MSUM in Ljubljana; Commons / Solidarity which took place online and was co-organised with the Museo Nacional Centro de Arte Reina Sofía, Moderna galerija, Ljubljana and other members of the L’Internationale confederation; Subjectivisation 2 which also took place online and was co-organised with the Valand Academy, and last but not least Constituencies 2 co-organised with the Van Abbemuseum, bringing us all together again in a physical space for the final chapter of discussions in Eindhoven.

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Ketersediaan

Informasi Detail

Judul Seri

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No. Panggil

701 G 2/2022

Penerbit

Slovenia : MG MSUM., 2022

Deskripsi Fisik

300 hlm, 25 cm x 19 cm

Bahasa

English

ISBN/ISSN

978-961-206-153-1

Klasifikasi

701 G 2/2022

Tipe Isi

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Tipe Media

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Tipe Pembawa

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Edisi

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Subjek

contemporary art
Cultural Archive

Info Detail Spesifik

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Pernyataan Tanggungjawab

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Versi lain/terkait

Lampiran Berkas

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